For the first time, as well as Assistant Producing Channel 5’s Curse of King Tut I was also responsible for the GFX for the program – working with the director Jeremy Hall to create a visual identity, including collages of the ‘curse victims’, as well as recreations of tomb maps, telegrams and even a book cover.
Client: Can Ducks Fly Theatre. Brief: poster and flyer combination for North American Tour.
A programme to accompany Finger in the Pie’s UK Tour of Sweeney Todd. The brief was to create a programme that would feel ‘hand made’ whilst giving the audience a flavour of the companies research material and methods.
Brief: Create an advertising tool that would cut through the noise of 2,600 shows all flyering the Edinburgh Fringe Festival, whilst also encouraging participation in marketing the show from the full company. The solution I found was to revive the water slide transfer tattoos of our childhood. The form of the advert fitted the aesthetic of the production, whilst standing out from the crowd. Whilst the fun interactive element of ‘tattooing’ someone was both in the spirit of the Festival, and fun for the company to take part in.
Fundraising recipe book to mark the first year of Finger in the Pie. The book was designed to be printable on a home laser printer and then bound by hand with staples.
Poster design for The Fix. Edinburgh Fringe 2005.